🔎 creditline:"The Michael and Grace Bress Endowment for Art Acquisition" | Mia

landscape with procession of anthropomorphized foxes walking on hind legs including foxes seated in a grey and red sedan chair; two tall trees and grasses in foreground partially cover processional; muted colors; ivory roller ends — Foxes' Wedding Procession, 19th century
Nakabayashi Chikkei

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very clean lab or industrial work room with orange floor; two-step white and black stepladder in foreground; two industrial enclosed boxes, each with three pairs of long black inside-out gloves attached to round openings — Glove Box, 2017-2019
Eric William Carroll

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white Tyvek protective haz-mat suit with one attached glove, hood, and blue foot protectors, hanging from a string against a grey wall with white and tan spots, drips, and stains; metal trash can at left; two green benches in foreground; fluorescent light in ULC — Clean Suit, 2017-2019
Eric William Carroll

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view down onto an old-fashion tricycle, with front wheel turned to right and a stick beneath its back right wheel — Tricycle I, 1972 (printed 2018)
Mario Fonseca; Printer: Mario Fonseca

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back wheel of old tricycle — Tricycle II, 1972 (printed 2018)
Mario Fonseca

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front wheel of tricycle, with pedals — Tricycle III, 1972 (printed 2018)
Mario Fonseca

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paper collage with red blood drips and blue and gold birds; mostly black and white engravings with colored plants, foliage, and insects at left center and LRQ; imagery includes reclining reading woman with skull in LLC with blue and gold bird with blood drips above her and a butterfly on her head, crowned figure reading in a chariot pulled by a goat with a putto at LRQ, two armed angels with bird above them at top center, text written vertically in ULC, and Jesus in clouds with gold rays in ULQ; received in a medium toned wood frame — Blood Collage, c. 1850-60
John Bingley Garland

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showing 7 results matching creditline:"The Michael and Grace Bress Endowment for Art Acquisition"

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